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Muslim Literature: The Pros, The Progress, And The Pitfalls

The burgeoning field of Muslim literature, and Muslim fiction, in particular, is an exciting development for the English-speaking Muslim community. However, it is necessary for Muslim writers to seriously consider the quality of their work.

Once upon a time, it was extremely difficult for English-speaking Muslims to find good books – fiction and non-fiction alike – that was catered to their demographic. Fiction, in particular, was scarce, for both young children as well as teens. Much of it was poorly written, filled with atrocious spelling and grammar, and stilted from beginning to end.

It was not an enjoyable reading experience.

Alhamdulillah, the Muslim literary scene has evolved significantly since the early 90s. Today, we have award-winning Muslim authors such as Na’ima B. Robert, whose excellent YA novels have been published through mainstream publishers and numerous emerging writers whose debut novels are wonderful contributions to the existing body of modern Muslim literature.

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Muslim publishers such as Kube Publishing, Daybreak Press, and Ruqaya’s Bookshelf are taking the lead in producing and distributing stories by and for Muslims. In addition, the publishing company Simon and Schuster launched an entire division dedicated to books by Muslim writers. Hena Khan, S. K. Ali, Karuna Riazi, and Mark Gonzales are just some of the authors whose Muslim-centered stories have been published through Salaam Reads and made accessible to schools, libraries, and the general public. The We Need Diverse Books movement has also played a significant role in promoting multicultural and marginalized voices within mainstream publishing, and the results are wonderful. 

Elevating Standards in Muslim Literature

Within the Muslim community, however, work still needs to be done. Unfortunately, as ever, the tendency to fall short of professional continues to make itself clear, in both self-published works as well as work that is published through Muslim publishers. It is common to find children’s stories that are riddled with typos, run-on sentences, poor plot structure, and nonexistent character development. In the pursuit of promoting Islamic values, too many fall into being overtly preachy and moralizing, with no regard for the fine art of storytelling.

The result is that time, effort, and money are wasted; having a plethora of “Islamic books” does us very little good when the final product is of little benefit and serves to turn children and young adults away from Muslim-focused stories. Parents and educators also find themselves frustrated with these poorly developed books, especially when they are seeking stories more representative of religiously observant Muslims rather than those who take Islam as a cultural identity marker. 

While it is certainly encouraging to see more Muslims actively contributing to the field of Muslim literature, we must recognize the difference between quality and quantity – and the importance of the former over the latter. It is true that traditional publishing is a difficult niche to get into, especially for those with no previous experience with writing or the publishing industry. This is often a motivating factor for many Muslim writers to either go with a Muslim publisher or turn to self-publishing as a means of making their work available.

However, the push to keep costs low comes at a price of its own. The vast majority of the time, it is clear that a qualified, professional editor was not hired to look over the manuscript. While some people may think that it is not a serious issue, especially for children’s books, this couldn’t be farther from the truth.

Children’s books actually require extra attention; one must be clear on the targeted demographic and tailor the story and language appropriately, and the illustrations and the words alike need to be engaging and lively, regardless of the intended age group. In particular, when the subject matter is religion-focused, it is important that the approach taken is not dry, academic, or presented in a way that young readers cannot connect with personally.

The quality of a book should never be sacrificed in order to keep costs low; as Muslims, we should be even more particular about producing high-quality work that will be a valuable resource to be used both within our own communities as well as to the non-Muslim public. 

Self Publishing Woes

Self-publishing is particularly dangerous when the aspiring author has done little to no research on writing and publishing and has even less experience with writing well. Unfortunately, too many Muslim writers over-estimate their own abilities and rush headlong into self-publishing… with painful, often cringe-inducing results. It is particularly distressing when certain over-confident and under-qualified Muslim writers then exult over unearned praise from readers who, unfortunately, are not always as discerning as they should be – leading said writers to feel secure in their writing abilities and going on to produce even more subpar work.

The importance of having a strong editor cannot be overstated; having a “friend of a friend” with no qualifications to review and ‘edit’ the story simply does not cut it. Choosing the professional way to write and publish will inevitably take more time and effort – and yes, financial cost – to produce a final result, but that investment of energy will be much, much more worth it in the long run (and will also spare readers the agony of seeing “there,” “their,” and “they’re” constantly used the wrong way).

Having higher standards and holding Muslim writers (and publishers) accountable for their work is not meant to be discouraging. Rather, our intention is to encourage their success – in a way that is meaningful, not blindly supportive. We all wish to see our brothers and sisters in Islam succeed and to continue to contribute to an extremely important field. Addressing these weaknesses from the very beginning will ultimately result in long-term success and benefit the writers and the readers alike. 

The burgeoning field of Muslim literature, and Muslim fiction in particular, is an exciting development for the English-speaking Muslim community. However, it is necessary for Muslim writers to seriously consider the quality of their work, and to seek professional and qualified editors and publishers with whom to work and produce their books. The current substandard quality of many Muslim-produced books is counter-productive to the intended goal of providing beneficial resources for Muslim and non-Muslim audiences. It makes parents and educators reluctant to use and share those works with their children and students.

Investing time and energy into improving the quality of our literature will only result in success, for the writers and their readership alike – so let us truly take our work seriously, and be committed to undertaking our efforts with Ihsaan.

Credit to MuslimKidsBookNook for her valuable contributions.

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Zainab bint Younus is a Canadian Muslim woman who writes on Muslim women's issues, gender related injustice in the Muslim community, and Muslim women in Islamic history. She holds a diploma in Islamic Studies from Arees University, a diploma in History of Female Scholarship from Cambridge Islamic College, and has spent the last fifteen years involved in grassroots da'wah. She was also an original founder of MuslimMatters.org.

7 Comments

7 Comments

  1. Mirza Yawar Baig

    Mirza Yawar Baig

    February 26, 2020 at 5:15 AM

    Very good points about quality of writing. I’d add that plagiarizing, copy pasting from Wiki and such activities are very common in Muslim wiring. Research is visible by its absence as also is totally lopsided and partisan reading of material before writing on the subject. All deplorable.

  2. Avatar

    Amina at Book Nomad podcast

    February 27, 2020 at 7:01 AM

    Thank you for this, Zainab! While this has been a problem for a long time (and is not as widespread now as it was, due in part to a maturing of the field), it is helpful to write it down clearly in black and white. Of course, digital self-publishing is by its open nature susceptible to producing a large proportion of badly written, badly edited work, regardless of the identity of the writer, but we want to aim for the best.

    I think another major issue is that people are so desperate for fiction that centres “religiously observant Muslims”, as you put it, that they are sometimes consciously or subconsciously willing to overlook lapses in quality. I know I have found myself doing this on occasion. While it may have some benefits in terms of contributing to expanding the quantity of Muslim-centred writing, the net effect is probably negative. As you mentioned, it leads to lower expectations of Muslim fiction and negative associations with books and writers who are openly practising their faith. I think the situation calls for some tough love combined with cooperation between Muslim professionals in the arts and those with the finances to develop a more solid foundation to support writers throughout the process.

    Blood Brothers podcast and Muslim Belal recently had a good discussion on a related topic, talking about Muslims in the arts more generally: it’s EP 23: Crisis in Islamic Alternative Industries.

    • Zainab (AnonyMouse)

      Zainab (AnonyMouse)

      March 2, 2020 at 5:19 PM

      Jazaakillaahi khayran for your detailed and thoughtful response! Thank you for the podcast recommendation as well, I’ll definitely check it out inshaAllah.

  3. Avatar

    Umm Afraz Muhammed

    February 27, 2020 at 10:26 AM

    Love the write-up! جزاك الله خيرا Zainab.
    With the right editor and designer, إن شاء الله self-publishing will be focus more on quality rather than quantity.

  4. Avatar

    Spirituality

    March 2, 2020 at 4:23 PM

    As Salamu Alaikum,

    Would you recommend for us quality Muslim fiction?

    Jazak Allahu Khayran!

  5. Avatar

    Yacoob

    April 6, 2020 at 3:28 AM

    I fully agree on the need for professional editing, but if you’re going it alone – which, let’s face it, many have to do because it’s so difficult to get in with a traditional publisher – cost becomes a huge issue.

    There’s also the ‘for the sake of Allah’ crowd, who insist on pirating books and making anything ‘Islamic’ available for free (or low quality copies for their own profits) – further killing motivation to invest significant finance into the venture.

    Then we hear of the wonders of self-publishing, and the wonderful encouragement of people like Seth Godin talking of the generous act of sharing your work, gatekeepers now having far less power, etc… and we’re inspired to put our stuff out there.

    So, yes – we all *should* be aiming for ihsaan. But often, out of ignorance of the need for top notch editing (or lack of finance to afford it), that is sacrificed.

    And asking editors to work for free can take its toll on them.

    It’s an entire industry that Muslims are moving into. And we need to support each other if we’re going to up the quality.

    It requires a mindset shift on all sides.

    And Muslim readers should be more willing to pay extra for an Islamic-themed / written book, simply because they’re helping grow a niche that benefits our community now and in future generations.

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#Culture

River Delta: A Love Story

She’s wilder than he expected. A little nutty, in fact. Like this thing now, traipsing around in the freezing mud of the delta, amid the reeds and terns, hawks and catfish. His life feels slightly out of control. He is nervous and happy at the same time.

Sacramento River delta

They both have the day off. Jimena takes him to the Sacramento river delta, where the muddy shallows stretch forever. Mile after mile of wetlands, some preserved for migratory birds and small, wild creatures, and others claimed as farmland, growing rice in vast acres of standing water. They take off their shoes and she drags him into the calf-deep water, laughing. She is tiny, a small-boned woman of Mexican ancestry, and the water comes up to her knees.

A crisp wind sweeps across the open water, lifting the clothes from their bodies and drawing tears from their eyes. The air is brilliantly fresh, like he imagines air must be in the middle of the ocean, or coming off a remote glacier.

“This is the safest rice,” Faiz says, his toes sinking into the frigid mud. “Asian rice nowadays is grown in industrial wastewater and sewage. It’s full of heavy metals. And most American rice is grown in the South, where the land is tainted with arsenic residue from the cotton growing era. Only California rice is not polluted.”

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But she’s not really listening, and why should she? He’s prattling. There’s no one else in sight and she is splashing in the mud, shrieking with pleasure, not caring that her leggings and even her dress are soaked. “SubhanAllah!” she exclaims, bending over to pick something up. It is a tiny seashell, curled in on itself, burnished copper outside and pink outside. “Que bonita! What kind of shell is this?”

Faiz smiles and shrugs. He should know, but does not remember. And he is worried about how they’ll keep from tracking mud into the car.

‘You know,” she says, “My father used to bring me here to fish. I know this area like my own living room. See that deep spot? You’ll find catfish among the tree roots.”

“You mean like our living room.” They’ve been married two months, but he still feels she is a bright macaw that he has somehow tamed, and if he doesn’t pay close enough attention she’ll fly away.

“Right.” She begins to sing in Spanish, and the sound seems entirely natural, as if she is a creature of these wetlands.

He almost asks, “What made you want to be my wife?” But he has asked this question before, and does not want to annoy her. She’s my wife, he thinks. He likes the sound of that. “My wife.” It occurs to him that this is an odd way of expressing things. “My” husband, “my” wife. Possessive. As if we do not all belong to Allah, carried in His hand. Do we truly own anything in this dunya? Not really. All this will pass, and only the presence of Allah will abide. Take a breath, he tells himself.

Sacramento River delta

Sacramento River delta

She’s wilder than he expected. A little nutty, in fact. Like this thing now, traipsing around in the freezing mud of the delta, amid the reeds and terns, hawks and catfish. His life feels slightly out of control. He is nervous and happy at the same time. Overall it is better than he expected, Alhamdulillah.

Back on solid ground, covered in mud like a riverbank otter, she takes a notepad from the glovebox and scribbles a note, her soaked hijab dripping onto the paper and smearing the ink. She slips it into his shirt pocket.

“I wanted to drown myself in the deep part,” she says with a laugh. Only later does he realize that she meant it. Beneath all the wackiness and laughter, her sadness is a wide river. He has seen it in flashes, when she talks about her father, who was killed in a street mugging when she was a child, and her mother, who died of uterine cancer when she was in high school. There is a terror in her too, a dark chasm that he has only glimpsed.

There are moments when she does not know he is looking, when her eyes go wide and distant. He watches her, holding his breath. Her skin is dark, and he thinks she must have some Mayan ancestry. But she has a sharp Castilian nose and wide-set green eyes. She is captivating, way out of his league. Then she catches him watching and gives him a quizzical look, or she doesn’t catch him so he goes to her and rubs her shoulders, and she returns from wherever her reveries took her, sometimes grabbing him and wrestling him playfully to the ground.

They go home to the little green house Faiz grew up in and inherited from his parents. In the front yard is a Japanese-style arched wooden bridge over a pond, and a Zen sand garden. His father, a practitioner of Japanese martial arts, was crazy for everything Japanese, but Faiz never took to it.

A New Land

Thai restaurantThey shower and change, toss their clothes in the washer, then walk to the country-style Thai restaurant a block away. It stands alone between a house with peeling paint and an empty lot, and is covered in vines, as if it has been there for centuries. The sign looks hand-painted, and the brass Buddha mounted in a niche above the door smiles beatifically, as if welcoming all visitors.

Sant, the owner, in his sixties but sporting a full head of black hair, brings a bowl of sticky rice and a platter of salmon with cashews in yellow curry. As he sets the food down, Jimena exclaims, “Wow, this looks amazing!” and touches the back of Sant’s hand. Faiz flushes, but says nothing. He knows his jealousy is stupid. He loves Jimena and trusts her completely. He is grateful that no one notices his reaction.

Sant smiles widely. “In my country we have story of man who cannot taste food. All his life he wonder what the fuss is. He is bony and thin, because he have no interest to eat. Then he get married. The first time his wife cook for him, he taste everything. He weep with surprise and joy.”

“What’s the moral of the story?” Faiz asks.

“What you think?”

“The family that eats curry together, stays together.”

Sant grins. “Correct.”

“Also, love changes you.”

“Correct!”

“It’s more than that,” Jimena offers. “Love pulls you into a new land. You enter a trance state, like a dervish, where everything is possible through the love of God. Then you lose balance and come out of it and you don’t know your name, and don’t recognize the country in which you stand. You realize you died and didn’t know it, and that the oceans of this new land go on forever.”

Sant’s smile falters. “Ehh… Not so sure about that one.” He wanders off.

Faiz watches his wife licking yellow curry from her fingers. He knows that some of his friends do not approve. She’s a Hispanic convert, and was married once before.

“You can’t trust converts,” one of his friends said. “They might be Muslim now, but leave the religion later. It’s not in their DNA like us.”

Faiz does not speak to that friend anymore. There is no place for arrogant fools in his life. Let them look, let them whisper. He does not care. He is a poor man, still pursuing a masters in environmental studies and earning meager pay as a teaching assistant. He does not consider himself handsome.

In his first year of college he attended an Islamic retreat that affected him deeply. One of the scholars spoke of sincerity, and how this simple philosophy – to be sincere with God, with yourself, and with others – could transform your life. Since then he has strived to always be sincere. That is all he really has going for him, he thinks.

And yet, this beautiful woman married him. She is gorgeous, and smart – a Stanford grad. She’s petite but so strong. Sometimes she seizes his arms and squeezes playfully and it hurts. What she sees in him, he does not know. Later he comes to understand that she is deeply insecure. Would she still have married him if she actually knew how smart and beautiful she was? Did it matter?

Still, her faith is as powerful as the tide, and she loves him. What a miracle. Like Jibreel striking the ground with his wing to produce water from the desert. What an unexpected blessing. He never saw it coming.

At home, Faiz moves the clothes to the dryer, and they pray the night prayer. His wife goes to bed – she gets up early for work and always sleeps before he does.

The Note

Sea shellWaking in the morning, he notices the little seashell that Jimena found in the delta. She has placed it atop their bedroom dresser. The morning light illuminates it, making it look like a museum piece. How amazing to think that something lived inside it once. Some tiny creature manufactured this shell as a home. That creature is long gone now, dead. No one but Allah knows what it was, or when it lived.

Looking at the shell, he remembers the note Jimena wrote. The clothes they wore yesterday are still in the dryer. He knows the note is in the pocket of his blue shirt, and may be ruined, or illegible. But he forces himself to fold the clothes one at a time, tapping his foot nervously. Finally he removes the note. The paper is crumpled and fragile. He unfolds it gingerly. The writing is faded and smeared, but to his surprise he can read it. “You will always be my hero,” it says. “Be patient with me. I love you.” He is so moved that his face grows warm and his eyes well up. He performs wudu’ and prays two rakahs out of sheer gratitude.

Two months later Jimena goes through her first serious depression, at least that Faiz has seen. She weeps, rocking back and forth, and will not let him touch her. Back when she found the seashell she wove a cord through it and hung it around her neck. Now, as she weeps, she clutches it tightly, as a drowning woman might clutch a life-ring. She draws the curtains and barely eats. It lasts almost a week.

Aside from her job as a nurse, she is an activist, always raising money for one cause or another. She paints, writes poetry and plays the guitar, singing Los Lobos songs in a lovely, clear voice. At dinner parties she is the center of attention, telling anecdotes and jokes, and laughing along with her audience. Faiz knows that some of the stories are exaggerated, and he thinks she laughs too loud, but he does not say so. People tell her she is an inspiration, the most positive and cheerful person they have ever known.

Those people are not there when she slashes her own paintings with a box cutter, or strides through the house raging and screaming at Faiz for not supporting her, or locks herself in the bathroom until Faiz has to break the door because he fears she might harm herself. Though she never actually goes that far.

These depressions come along every three or four months. Anything can trigger them. A criticism by a work supervisor. One of her experimental vegetarian dishes not coming out right. One time she is talking about a patient at work, a child who had been abused by a parent, when Faiz receives a text on his phone. He checks it, and that is enough to send Jimena spiraling into the howling tunnel of depression.

Faiz, in his typically rational way, tries reasoning with her. He praises her, pointing out her many good qualities, and tells her how many people love her, including himself. None of it works. Then one day he is texting with his cousin Saleem Haleem, who has dedicated his life to working with the homeless but also possesses a wacky sense of humor. “Try dressing up in a bunny suit,” Saleem suggests, “and run around hopping and shrieking, ‘stop eating my chocolate eggs!’”

Faiz laughs it off, but then thinks, why not? In a desperate fit completely unlike himself, he pulls on a swim cap, paints his face red with Jimena’s lipstick, and runs into her bedroom shouting, “I am alien. Where is leader? Bashooomdafaaaah! Oueeegamaaala!”

Jimena stares wide-eyed, looks for a moment like she might attack him, then bursts into uproarious laughter. And like that, she is back to her usual creative, bubbly, hyper-social self.

Faiz begins to think that this is why he was blessed to marry her. It’s a bargain that Allah has made with him. A trade. She is too beautiful for him, too witty and charming, it is true, but he is patient enough for her. He can bear the insults she flings. He can comfort her when she rages that life is dark and useless, and that she is ugly and alone. She may be the woman he desires and dreams of, but he is the man she needs.

She loves to sit on his lap and kiss him until his lips are sore. She cooks his favorite foods. She writes love letters that he reads again and again, saving them in a sandalwood box, along with the note she wrote at the delta. She brags to her friends about how smart he is. She prays with him, and asks him to teach her Urdu and Quran. And through it all, she does not lose her faith. Just the opposite. When all else seems bleak to her, she still believes in Allah, still prays.

Hard Times

Empty walletJimena becomes pregnant but miscarries. She is plunged into postpartum depression that continues for a year, during which she cannot work. An economic recession hits. Faiz loses his job and takes consulting work when he can find it. They buy used clothing at thrift stores, and shop for groceries at the dollar store. There are times when they have no money in the bank, and Faiz’s wallet is empty. He is reduced to selling his childhood baseball card collection and his father’s old coins. Jimena castigates him: “You’re not a man. A man provides for his family.” She blames him for her miscarriage, saying that the stress of poverty caused her to lose the child. This last accusation wounds him to the quick, but he knows she doesn’t mean it. It’s the depression talking.

He goes for aimless drives in the foothills, letting the curves and angles of the road rock him like an infant. Sometimes he stops the car and presses the heels of his palms into his eyes as hard as he can, so that his eyes ache and strange shapes appear. Dark hands reaching for him. Exploding suns. Ghosts with no arms. Jimena is big on healthy eating and will not tolerate junk food, but when Faiz is out driving he goes through the Taco Bell drive through and binges on nachos and soda. Then he stops at the car wash and vacuums away the crumbs, eliminating the evidence.

When he feels most frustrated with life and with Jimena, he opens the sandalwood box. Beneath all the letters is the note she wrote that day at the delta, the words barely legible. He reads it and thinks of all the love Jimena has given him. He holds a picture of her in his head, a shining image of the woman he fell in love with, and his love returns stronger than ever, like a river replenished with the spring melt. Holding that bright image in his mind, he goes to her and takes her in his arms.

Jimena’s depression passes, as does the recession. She goes back to work for the hospital, and Faiz gets a government job as an environmental compliance inspector. Jimena has one sibling left, an older sister named Mariela. One evening the phone rings. As Jimena speaks to her sister, her face goes pale. Mariela has breast cancer. The doctors don’t know yet how advanced it is. Further testing is needed.

Jimena cannot stop weeping. “I’m alone now,” she moans. “There’s no one left.”

Faiz urges her not to imagine the worst. “Maybe they caught it early. Be patient. Trust in Allah.”

It turns out the cancer is advanced. Mariela undergoes treatment, but in three months she is gone.

Things are never the same between them after that. Jimena has it in her head that he told her Mariela would be okay. “You always make promises you can’t keep.” She stops writing love letters, stops sitting in his lap. She works overtime, returning home late. Faiz orders takeout and eats alone. When Jimena’s depressions descend she checks into a hotel, telling him she can’t stand the sight of him. Whenever she leaves he checks to make sure she has taken the seashell necklace. It is the only thing that gives her comfort anymore. She holds it obsessively, kisses it like a talisman. As long as she has it with her, he believes, she will not harm herself, and will come back to him.

Goodbye

One day he comes home and the necklace is hanging on the coat rack by the front door. There is a note on the kitchen counter, scrawled on computer paper:

“Don’t come looking for me. You’re better off anyway. You know it. Let go of your worries and be clear hearted. Goodbye.”

Sandalwood boxHe takes out the sandalwood box. Her love letters are there. Also the old note, yellowed now. “You will always be my hero. Be patient with me. I love you.” Faiz does not know what to do. After all they went through together, she is gone. So what was it for? He thought this was his test, his bargain, his gift, all rolled into one.

He wants to burn the letters. He wants to go after her in spite of her warning, convince her that they belong together, prove his love and his patience. What does she want, for God’s sake? What does that mean, let go of your worries and be clear hearted? Is it a puzzle for him to solve? No one will ever love her like him, doesn’t she know that?

He decides to wait. He will be patient, and she will return. She has blocked him on all the social media networks, so he creates a fake profile and befriends her, and learns that she has moved clear across the country. There are photos of her with people he does not know, looking happy. She posts about her usual activist causes, shares messages from her favorite religious teachers. Nothing about Faiz. It’s as if he never existed. Her profile status says, “single.”

Every day he takes out the sandalwood box. He selects one of the love letters at random, unfolds it. Her cursive script is flowing, loose:

Rumi wrote, “This is love: to fly toward a secret sky, to cause a hundred veils to fall each moment.” I thought true love was a myth, but you, my darling Faiz, have caused the veils to slip from my eyes. The veils of cynicism, bitterness and despair, lifted by the wind of your love and carried away. Now I see the hidden heart that beats in the forest of bones, the intoxicating air that only lovers can breathe, the hushed and peaceful path that only reveals itself to four feet that walk as two.

How could someone say such things and not mean them? Or if she meant them, how could such love disappear? Shaking his head, he folds the letter carefully and returns it to the box.

Six months later he receives divorce papers in the mail. All this time he still believed she would return. He is dumbfounded. Why is Allah doing this to him? What terrible thing did he do, to be punished this way? Why does Jimena not love him anymore? How can she be happy without him? Who will love her as he did? In a fit of pique and resentment, he signs the papers and mails them.

He tumbles into his own emotional hole, where he has thoughts of suicide for the first time in his life. He imagines stabbing himself in the throat, or maybe taking some pills, that would be easier. He doesn’t do it, and would never do it, he knows that. His faith in Allah would never allow it. No matter what else he might be, he is still a Muslim.

A month later, he learns from a mutual friend that Jimena has married a wealthy restaurant owner with grown children. Faiz is shocked and angry, and blindingly jealous. He wants to find her and scream at her, insult her, but he knows this is useless and stupid. Instead he begins taking hour long walks before Maghreb, feeling the breeze in his face, exploring unfamiliar neighborhoods, admiring people’s gardens, thinking of nothing.

A week later he hears that Jimena and that man have divorced. He can make no sense of it, but feels bitter satisfaction. How is it possible that he loves her but is happy at the news of her failure? Does he really love her, then? He doesn’t know anymore. Love is all fake nonsense. He deletes the fake social media profile and shuts down all his own pages.

He is sure that one day she will show up at his door again, and he fantasizes about what he will do or say. In one fantasy, he spits on her and screams in her face. But he would never actually do that. In another, she starts to beg forgiveness, and before she finishes her apology he snatches her into his arms and embraces her, and they resume their relationship of adoration and madness. In yet another scenario, he invites her in and they have a civil conversation in which they agree to be friends.

Japanese Garden

His walks lengthen to two hours, then three. He stops at the masjid to pray Maghreb in the middle, then resumes walking, going on until his feet and calves ache. His legs grow muscular. His body feels light and strong. He thinks of Jimena every day, but he can live with the ache and loss. He has learned this. He hears that she has married again. A white convert this time, a sufi. Faiz feels some jealousy but not like before. If jealousy is a green-eyed monster, then what he feels is its pale-green ghost.

Six months later she is divorced again. Faiz feels only sadness and confusion.

He usually pays little attention to the Japanese garden, but one day he gets out a rake and begins drawing patterns in the sand. He remembers his father trying to teach him: “Don’t drawing anything real,” he’d say in his sharp Pakistani accent. “Just moving the rake in random patterns. Seek for symmetry.” Faiz does so, and is happy with the design he creates. Then, as his father taught him, he erases it and starts anew, ending up with something different but lovely.

As he gets into bed that night, a thought makes his breath catch. He used to believe that Jimena was a gift from Allah and a test. He imagined he was the man she needed, the man who could handle her. No one could love her like him. But how arrogant these ideas were! How insincere. She was not a wild animal, and he was not her caretaker. Nor was she a child. Who was Faiz? He was not some living key to Jimena’s joy. He was not Jimena’s god. He was just a man. She had a life before she met him, and she would have a life after.

This leads him to another thought: he too can be happy without her.

Two months later an old friend named AbdulMalik calls him. “Guess what I heard? Jimena-”

Faiz cuts him off. “I don’t need to know.” It is true. It’s not necessarily that he doesn’t care. But he has achieved some measure of hard-won inner peace. Why mess that up?

Four years pass. In the beginning he thinks of Jimena often, remembering intimate moments they shared, conversations, the way her chin dimpled when she smiled, and the curses and weeping as well, the accusations. And their lost child. That is the most difficult of all, for the pain it caused and for what could have been.

One day he realizes with surprise that he has not thought of Jimena in quite a while. He’s pleased by this, and rewards himself with a pint of premium vanilla fudge ice cream – something Jimena never would have let him get away with.

Be Sincere

At the masjid after Jumah prayer, the Imam signals him to enter his office. A sister has recently moved to town, a white American woman named Anamarie, with two small children. She converted to Islam a year ago. The father of her boys is in prison. Would Faiz be interested?

The offer is not exactly tempting. If his parents were alive it would be a non-starter, as they would give him blazes over it. Raising someone else’s kids? A frightening thought. What if he doesn’t love them, or they don’t love him? What if he has no idea how to treat them? What if he disciplines them and the mother gets mad because he’s not their dad? Stop, he tells himself. What’s the harm in meeting her?

He meets her in the Imam’s office, with the Imam present. She is his height, not fat but a bit chubby. She breaks the ice by inquiring about his work, and is surprisingly interested and informed about science and the environment. She has a slight southern accent, and eyes the color of a winter sky. He asks hesitantly about the kids, and what she would expect of him. Evan is three years old, and Ellie is one and a half. Anamarie can see, she says, that he is a kind hearted man. She would not expect anything more from him in the beginning than to be present in their lives. “Be sincere with them,” she says. “That’s all you have to do.”

They meet for lunch next time, still just the two of them. Being around Anamarie is strangely easy. Why is he so comfortable? Maybe because she is nothing like Jimena. With Jimena he was always giddy, nervous or dejected. Anamarie, on the other hand, is a calm summer sea. You could lay out on your boat and relax on a sea like that, and not have to worry about hurricanes or whirlpools.

Oh, there are things she is passionate about. She is a teacher, and loves her work. She is also an aspiring novelist, and speaks wistfully of being able to earn a living from writing one day. She is not an activist of any stripe, and Faiz likes that, as he has come to associate activism with instability.

Meeting the kids is easier than he expected. Evan is serious but friendly, surprising Faiz by taking his hand as they walk through the park. The boy’s hand is warm but dry. Ellie is wacky and easily entertained, ready to laugh at any funny face Faiz makes.

Their nikah is held on the shore of a nearby lake. There are only a dozen people in attendance: Faiz, Anamarie and the kids, the Imam, and a handful of Faiz’s friends and co-workers. He rarely thinks of Jimena anymore, but can’t help wondering on this day whether she is happy somewhere. He hopes so.

He has saved quite a bit of money over the last five years. He sells the tiny house and buys a modestly sized Mediterranean style home with arched doorways, a sunny breakfast nook and a large backyard.

A week after the wedding he takes a drive out to the river delta by himself. Squatting at the water’s edge, he burns Jimena’s letters one by one, watching the ash spill into the water and dissipate like breath on a cold day. He feels no anger. Standing, he takes the seashell necklace from his pocket. He studies it one last time, admiring the perfect smoothness of its inner curves. Something lived here once. But now it is gone. He draws his arm back and throws the necklace far out into the water. It floats on the surface, buoyed by the cord, then sinks.* * *

A year later he, Anamarie and the kids are seated in the nook, eating spaghetti and meatballs for lunch. They are planning to visit the airplane museum tomorrow and Evan is excited about the planes they will see. Faiz smiles to hear him talk about wing designs and aerodynamics. A budding engineer, mashaAllah.

Spaghetti and meatballsEllie is on Faiz’s lap, and he is struggling to increase the ratio of spaghetti that goes into her mouth versus onto her shirt. “The flyer is returning to the mothership,” he says dramatically. The forkful of spaghetti swoops and dives. “Open the bay doors so it can land.” Ellie shuts her mouth tightly. “Open the mothership,” Faiz urges.

“I’m not a mother,” Ellie pouts, turning her face away.

“Ships in space don’t land,” Evan says. “They dock.”

The doorbell rings. “I’ll get it,” Anamarie offers.

Faiz waves her off. “No, I’m on it.” She is seven months pregnant. Getting to her feet is a struggle. He hoists the little girl onto his hip.

When he opens the door he feels the blood drain from his face. It is as if an angel, a devil and a ghost have all combined into one person and materialized on his doorstep.

“As-salamu alaykum,” Jimena says.

It has been five years since she left. He has forgotten how tiny she is. Yet she is as intense as ever, even just standing there. Her eyes are forest green, her teeth white. She wears an orange hijab, blue jeans and a “Save Gaza” t-shirt.

“Who’s this?” Jimena nods at Ellie and smiles, but there is tension behind it. Is that jealousy Faiz sees in the set of her jaw? Disappointment? Unconsciously, not knowing why, he shifts his hip slightly, moving Ellie away from Jimena.

A flash of anger crosses Jimena’s face, then vanishes. “You look good. You’re fit. Do you think we could talk? I have some things I want to-”

“I didn’t know if I would ever see you again,” Faiz interrupts calmly. Sincerity, he tells himself. That is all. “I am glad you are here so I can tell you that I am grateful for the love you gave me, for as long as it lasted.” His voice is soft, gentle. “I was angry, but not anymore. I only think well of you. I wish good for you in the dunya and aakhirah. May Allah bless you in everything. That is all I have. Please don’t come here again.”

He steps back into the house and begins to close the door. He is afraid she might throw a tantrum, maybe push her way in. But she stands in place. Her mouth turns down in an expression of utter dismay, and Faiz feels a terrible flood of guilt. He never could bear hurting her. He closes the door all the way. His hand trembles on the doorknob, and his breath is ragged. He locks the door.

Back in the nook, he takes his seat.

“Who was it?” Anamarie asks.

“Oh. One of those people, you know, the people who come to the door?”

“What people? Missionaries?”

“Daddy didn’t let her talk,” Ellie says.

“That doesn’t seem like you,” Anamarie remarks.

Faiz picks up the fork. “Open the bay doors. The flyer is coming in for a landing. I mean, to dock.” He glances to Evan, who nods approvingly.

Ellie turns her face, and the fork pokes her in the cheek.

The End

See the Story Index for Wael Abdelgawad’s other stories on this website.

Wael Abdelgawad’s novels, Pieces of a Dream, The Repeaters, and Zaid Karim Private Investigator, are available on Amazon.com.

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No, My Son | A Short Story

It was pure happenstance that Payedar Olan was sitting near the entrance of the masjid on the day the gunman entered and shot him. He had forgotten that here in America they changed the time twice a year…

San Francisco Islamic Society Mosque

It was pure happenstance that Payedar Olan was sitting near the entrance of the masjid on the day the gunman entered and shot him. He had forgotten that in America they changed the time twice a year, so he was an hour early for Friday congregational prayer. The little masjid at the top of a hill was almost empty, with only a few brothers praying, and one washing up in the ablutions room. So he sat with his back against the wall to relax and wait.

Such a strange thing, this time changing. The sun rose and set. How could men change it? But in America they believed they had power over all things.

Life here was bewildering. People zipped around on electric scooters, in Uber cars and in trains that rumbled beneath the ground. Skyscrapers blocked the sun. People wore strange costumes, and one could often not tell a woman from a man. The markets contained more food than anyone could need, much of it artificial, tasting too salty or too sweet. People smiled for no reason, while crazy people wandered the streets, shouting at nothing.

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This city and country had taken him in and given him shelter when his own homeland was being devoured by evil men; so he was grateful. Still, it was perplexing, and so far removed from his experience that sometimes he felt he was on a different planet.

The Kurdish Heart

A Kurdish village

Kurdish village

Payedar had been born in 1953 in Iraqi Kurdistan, in a mountain village called Gur-e-Sofia, reachable by traveling first on the Ruwandiz road from Erbil, then by a three hour climb up a mule track. His bav was a duck hunter, and his dê a midwife.

In his village, whitewashed homes were built into steep hillsides in tiers, facing the sun. The mud of the roofs had to be rolled anew every September, before the winter rains, because in summer it would crack. Sheep and goats dotted the slopes. Most people grew barley or bearded wheat, and tobacco in summer, using oxen to plow the fields. Every family knew precisely how much water they could take for irrigation, and no one took more than their share, for fairness was ingrained in the Kurdish heart.

Walnut trees grew everywhere, and Payedar would shake them to bring the walnuts down, then crack them between two stones. Because of this he was never hungry, alhamdulillah.

He remembered his bav, his father, sitting at the village coffee shop, smoking rich Kurdish tobacco from a hookah pipe, and shouting exultantly as he won a round of backgammon. At home his dê cooked spiced kofta meatballs, bulgur pilaf and flatbread, with figs and sweetened black tea for dessert. Payedar, his parents and six siblings ate on the floor, sitting around a clean cloth. At night Bev led them in prayer, reciting the Quran in his powerful voice.

It was life, and he was happy, until he was eight years old and the Kurdish-Iraqi war began. His three older brothers and one sister went to fight and never returned. The village was bombed. Many were killed and many homes were destroyed. Even the small masjid was reduced to rubble. His bav fell into despondency, and one day went out to hunt ducks and blew his own head off.

Payedar, the eldest remaining child, became the breadwinner. Twice a month he loaded up a mule with white grapes, tobacco and walnuts and traveled over the mountain to Erbil, the capital of Iraqi Kurdistan, where he sold them at a good profit. It was hazardous work. More than once he was injured. Three times he was robbed.

These dangers were balanced by getting to see Erbil, a city of a million people. A million! Where ancient Assyrian and Roman monuments and citadels mixed with four-story buildings and a modern soccer stadium. Women went out with their forearms uncovered, people wore Western jeans and shirts, and music played from boomboxes sold in shops filled with electronic goods. At the same time, Erbil was a frequent target of Iraqi bombs, and it was not unusual to see bodies in the streets.

The Dying and the Dead

The war ended when he was seventeen, and began again when he was twenty one. This time he joined the Kurdish peshmerga and fought the Iraqi invaders, sending his salary home to his mother.

Female peshmerga fighters

Female peshmerga fighters

It was in the war that he met his wife, Letya. Her name, which meant tiny and womanly, matched her stature, if not her personality, for she too was a member of the peshmerga, and the first time he saw her she was in a soldier’s uniform with a Soviet rifle in her hands, her fierce black eyes promising death to the enemies of the Kurds, and her long black hair streaming in the hot southern wind.

He killed many men, and saw many die. Back home in Sofia-e-Gul one of his two younger sisters got married and moved away, while the other, out one day foraging for food, was kidnapped by Iraqi soldiers, raped and killed. Shortly afterward his mother died of loneliness and heartbreak. He returned home to bury her, his tears falling into the rich mountain soil atop her grave. Sofia-e-Gul was now populated only by old people waiting to die, and by the dead in the cemetery. The fields lay untended, many homes half-destroyed, the animals lost. He prayed, begging Allah’s forgiveness for leaving his mother alone. He did not ask for Allah’s mercy on his mother, for it was unnecessary. She was a saint, and if anyone in the world deserved Paradise it was her.

He left Sofia-e-Gul and never returned.

Payedar and Letya were married as the war raged, and when the Kurdish militias lost and the Kurdish region was overrun by Iraqi troops, they fled to the Kurdish border region in Iran. There Payedar worked as an assistant to a stone mason. He and Letya raised two boys and a girl.

San Francisco Islamic Society Mosque

These were the things Payedar was thinking about as he sat with his back against the wall in the little masjid. Lately it seemed his mind dwelled more in the past than the present. Sometimes he found himself standing on a street corner in this American city, thinking about the feel of his father’s bristly mustache when he kissed Payedar goodnight, or the smell of his wife’s hair, redolent with the day’s cooking – or, if she had bathed, with the scent of fermented rice-water shampoo. Then someone would interrupt his reverie, some Spanish girl with green hair, or a goateed man with earrings and a baby in a belly sling, and ask if he was alright. And he would smile and thank them.

He had no complaints about the way his life had turned out. He’d lost so much, yes. But he’d been a fighter all his life, and what more could any man do? Everything was in Allah’s hands. Whatever had happened was always going to happen, and whatever had passed him by was always going to pass him by. There was nothing he could say in the end but alhamdulillah. And if he was fortunate, he would meet his lost ones in Jannah, and all would be well.

Boots On

The gunman entered with his boots on. That was the first thing Payedar noticed, glancing to his left and seeing the military boots on the plush carpet of the prayer room. His eyes shot up to take the man in: tall, white, with a powerful frame. Green eyes and a scattering of freckles across his cheeks. Brown hair in a buzz cut. Dressed in green army fatigues, and carrying a semi-automatic rifle. The gun was pointed toward the mehrab as the man’s head swiveled, taking in the interior of the masjid.

The man seemed confused. Maybe he too had been fooled by the time change, and was expecting to find a full congregation. Maybe his eyes were adjusting to the gloom, for the interior lights had not yet been turned on, and the masjid was all cool shadows and lazily spinning ceiling fans.

The gunman’s hesitation gave Payedar the time he needed. He leaped up and embraced the man tightly, throwing his arms over the man’s arms, pinning them to his sides so that the rifle pointed at the ground. “No, my son,” Payedar said intensely, whispering in the man’s ear as if telling secrets to a confidante. “No.”

“Get off me you goddamn terrorist!” the man bellowed. He struggled, nearly falling. He was strong, but Payedar also was strong, for though he was sixty seven years old he had been a stone mason for decades, and the work had given him a broad back and muscular arms.

“No, my son,” he said again, his voice rising. “I will not allow it. I cannot, I cannot.” He heard other men shouting in panic and confusion, but he did not turn to look.

“I’ll kill you!” the man drove forward, but Payedar held on. The gun went off. The sound ricocheted off the walls like the roar of a cannon. Someone screamed. Payedar’s foot exploded with pain. Starbursts appeared before his eyes. Yet he kept his arms clasped. “No, my son,” he said again, desperately. ‘No, my son.” He was pleading, but not for his life. He and death were old friends or old enemies – he could not tell anymore. Sometimes you hated a man but admired him. So it was with Payedar and death. No, he was pleading for this man to understand, to stop before it was too late.

“GET OFF ME YOU CRAZY OLD MAN!”

Again the gun fired, and this time it was as if a sword had been driven into Payedar’s thigh. He closed his eyes and groaned in agony, but held on. Again he pleaded, his voice filled with something that might have been anger but might also have been love, and this time it was a shout, driven by pain and desperation. “No my son!”

The gunman stopped struggling. Payedar felt the man’s body go limp within the circle of his embrace. He opened his eyes to meet a gaze filled with hatred and rage, but also confusion and shame. Now that the man had stopped struggling, Payedar seemed to have lost his own ability to fight, as if he had drawn his energy from the other’s seething will. His arms grew slack and the world turned monochrome, as if he were seeing everything on the old television he and Letya had purchased when the children were still small and still alive. Pain filled his mind, and he could not stand.

Arms seized Payedar and the gunman. Both fell. Men were atop them, shouting in Arabic and English. Payedar’s mouth fell open as his eyelids came down like steel doors.

His Young Prince

Hospital IV bag

Two surgeries and a week in the hospital, and he was on his way to recovery. People said he was a hero. Visitors from the masjid were allowed in two at a time, but Payedar found their visits tiring. Reporters wanted to see him, but his son Ekrem shielded him. Payedar had no desire for fame. Police came as well. He told the story in halting English, and picked the gunman out of a selection of photos on a card.

Sometimes he did not know where he was. A hospital, but he had been in many clinics and field hospitals. He had been shot twice before, bombed, struck with grenade shrapnel, and tortured in an Iranian jail, where he was accused of being a Kurdish separatist.

When he became confused he remained silent and waited stiffly. Eventually Ekrem would appear, sometimes with his beautiful wife Amirah, and Payedar would relax, for even if he did not know where he was he knew that Ekrem was his young prince, his joy and legacy, and that if Ekrem was there then everything was fine.

Later, he awoke on the sofa in Ekrem’s living room. Usually he slept in a tiny upstairs room, but he had a titanium rod in his thigh and a cast from knee to toe. He let out a groan. His leg and foot ached as if a lion were gnawing on the bones. He’d experienced worse pain in life. But he was old now.

Amirah stood over him, speaking. “Apê. Tu dixwazî hin çay bi şekirê dixwazî? Dem dema dermanê we ye.” Uncle, would you like tea with sugar? It’s time for your medication.

Payedar smiled at this princess, this beautiful African-American Muslim woman who had given him two grandsons and had even learned Kurdish!

Trying not to show how much his leg hurt, he rubbed his eyes and yawned. “How about some mast-aw?” he replied in Kurdish. It was an old joke. Mast-aw was a Kurdish favorite: heated goat’s milk mixed with sour goat’s milk to curdle it, then with cold water. Of course it could not be found in America.

“Honey,” Amirah called in English. “He wants mast-aw.”

“Coming up.” Ekrem emerged from the kitchen carrying a tray with a single glass of milk perched in the center, and four pills beside it. The boys trooped at his heels, grinning. Payedar looked at his son, with his curly hair and long, proud nose. He was sturdy, for he too was a stonemason, having learned at Payedar’s side.

Payedar smiled at this prank. The pasteurized, homogenized milk sold in America was a far cry from mast-aw. But he took the glass without complaint, and downed a few pills. His eyes widened. The drink was thick and tangy, rich with the flavors of his homeland. It was mast-aw! He had not tasted it in many years, and for a moment the flavor took him back, so that he was a child, sitting on the floor with his parents and siblings after a long day of trooping over the mountains with his bav. The children enjoyed mast-aw and boiled wheat with sugar, and when his older brother tried to talk about the war Bav shushed him. His sister told a joke about a cat that tried to ride a bicycle, and Payedar laughed.

Remembering this, he laughed again, and witnessing this, Ekrem and his family laughed as well, and Payedar returned to the present. “This is miracle,” Payedar said in English, and his family grinned and told him how they had sourced all the ingredients.

Moments like this were a barakah, and Payedar was filled with gratitude to Allah. If only… he faltered, his hand shaking, nearly dropping the glass, so that Amirah took it quickly. A tear ran down his cheek. Ekrem was beside him, touching his shoulder. “What is it, Bav? Is something wrong?”

Payedar shook his head. “You are the spirit of my heart, Ekrem. All of you.” He reached a hand to his grandsons and they piled onto the sofa. “I wish…” He could not continue. He wished Letya, his wife, could have lived long enough to see this new land. And Sara, his daughter, gassed by Saddam Hussein along with her husband and children. And Baz, his firstborn, a lifelong soldier.

Ekrem rubbed his shoulder. “I know, Bav.”

“Can I try the mast-aw?” This was Ibrahim, his youngest grandson, a wide-faced boy with curly black hair and dark eyes, only four years old. His mother gave him the glass and he took a sip, then coughed and grimaced. “Eww!”

Payedar chuckled. “You are American boy. You better stick to apple juice.”

* * *

An assistant district attorney came to see him. A rail-thin blonde woman with spectacles like tea glasses. The gunman, whose name was Amundsen, had so far refused to speak to the police. He said he would only speak to, “the old man.”

“Meaning you, Mr. Olan,” the ADA said. “You’d be doing us a favor.”

Good Crazy or Bad Crazy

They met in a room in the county jail building. It was painted steel gray, with a thick window beyond which a tall black guard watched. There were no cameras or listening devices, as far as Payedar could tell.

The gunman, Amundsen, sat across from Payedar at a metal table that was bolted to the ground. The man wore orange jail coveralls with “JAIL INMATE” printed on the chest and back. He was handcuffed, his ankles shackled, another chain connecting hands and feet to a belly chain, and the whole mess chained to a steel eye loop welded to the table. The man was unmarked. No bruises or burns. Back home he would have been tortured until he confessed. Here they had to appeal to him, negotiate, reason. America was crazy. But good crazy or bad crazy? Both, Payedar supposed.

Payedar wore the traditional clothing of his homeland: a dark vest over a white robe, a black turban, and boots. He did not always dress thus. Sometimes he wore typical Western clothing. He was not sure why he had chosen to dress this way today.

The gunman eyed him. There was some hostility in that look, but not as much as Payedar had expected. The man seemed almost curious. “You speak English?”

“Yes. I learn.”

The chains rattled as Amundsen gestured to Payedar’s leg. “You gonna be alright?”

Payedar nodded.

“You really messed me up.”

“You mess up yourself.”

“Yeah.”

Neither of them said anything for a while. Payedar studied the gunman. The man’s eyes were intelligent, his jaw set tightly. A forearm tattoo peeked out beneath the sleeve of his coverall. His torso was as wide as a barrel. Payedar was amazed he’d been able to hold the man. In fact, he could not see how it was possible.

“Why did you say that?” the gunman wanted to know.

“Say what?” Though he knew.

“You know. You called me your son. You kept saying that. Even when I shot you. What the hell, man? I’m not your son.”

Payedar flushed with embarrassment. But he had agreed to talk to the man, so he answered. “Sometimes I get confused. At that time I thought you was my son, Baz.”

Amundsen stared, then shook his head and laughed. “Unbelievable. I got stopped by a senile old kook. Do I look like your son?”

“Little bit. Big and strong. He was soldier, fighting the Iraqis. Seven years ago, when ISIS start to invade our land, Baz come to me, say he going to fight them. I did not want. I lose so many people already. So I hug him, I tell him, no, my son. Do not go.”

Amundsen frowned. “Your son was going to fight against ISIS? I thought you Muslims supported ISIS.”

“You are fool!” Payedar snapped. “Never say this. Do you understand what ISIS did to my people? They attack the Yazidi villages because the Yazidis are Christian, not Muslim. So ISIS kill the men, take the women and rape them. My son cannot accept this, so he go to fight, to protect them.”

“So…” Amundsen’s mouth hung open as he took in what Payedar was telling him. “Your son fought to protect Christians?”

“Muslim, Christians, one people. They are Kurds.”

“What happened to him?”

“What you think?” Not wanting to speak it out loud.

The room fell silent. Payedar looked around absently, taking in the clean floor and walls, the even light from the fluorescents embedded in the ceiling. He looked at the jail guard on the other side of the window, who stood calmly, watching them both. Payedar’s mind wandered, traveling through time, crossing borders and eras in an instant, feeling the touch of his wife’s lips on his cheek, whispering her love. She had loved him like a fighter, fiercely, unreservedly. Then his mind swept forward like a flash flood in a mountain ravine, and he was once again in the present, in this tiny room in a foreign city far from home. His gaze returned to Amundsen, who in turn studied him silently. No one spoke.

The end

See the Story Index for Wael Abdelgawad’s other stories on this website.

Wael Abdelgawad’s novels, Pieces of a Dream, The Repeaters, and Zaid Karim Private Investigator, are available on Amazon.com.

Support Our Dawah for Just $2 a Month

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The Conundrum | A Short Story

disaster

It was all over the news. The earthquake had wiped out whole towns. The entire country was in shock. Upcoming festivals were cancelled and citywide donation drives were springing up everywhere. Charity organizations were activating their networks and sending teams of volunteers to help in the rescue efforts.

“This is God’s punishment for all the evil things we do,” her uncle said mournfully.

She was confused. If they were doing bad things, then shouldn’t they be dead too? She looked at her father to see what he would say. He shook his head and countered, “That’s not true, you know. This is a trial from God. And it is a reminder for us to be conscious of Him and be aware of His power. So that we may worship Him more.”

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“So, you’re saying that bad things don’t happen because of our wicked deeds?” her uncle challenged his brother.

“No, they can, but we have no way of knowing for certain. After all, God also promises us that He will test us to see which of us is better in action. As a reminder of His presence and power.”

“So, you prefer to turn a blind eye to God’s punishment just because you’re not sure?” He asked incredulously.

“Of course not. All I am saying is that I don’t know – and neither do you! So, instead of delving into God’s matters and condemning everyone, especially the victims, we should focus on rectifying our own selves! This is a time for astaghfar, for asking forgiveness,” her father shook his head again.

“Well, that’s precisely my point! If we see this as punishment, it will strike fear in our hearts and make us change our ways, so we can avert another disaster!”

“Yes, but the problem with that logic is that, in the process, you have denounced whole swaths of people who may be completely innocent. Only God knows,” he emphasized.

She was so proud of her father. His explanation made so much more sense, but she couldn’t resist asking, “Baba, why would God let such a terrible thing happen?”

“Because He is angry,” her uncle immediately responded. Apparently, he hadn’t changed his mind.

“My dear,” her father began, ignoring his brother.

“God’s plan and vision is much greater than what we see. Life and death are a reality of life. Every person must die. It is really sad what has happened to all of these people, but we must also remember that God gives us the reassurance that if believers die in such a state, they are martyrs. What a high station! Which is why it baffles me every time I hear that somehow this was a punishment,” he pointedly remarked, looking at his brother who stayed quiet.

He sighed and continued, “For those who are gone, we must pray for their souls. And take care of the survivors. As for us, we need to draw ourselves nearer to God and follow His guidance, so that when our turn comes, we are ready.”

He pulled her close to him and she felt safe.

-end-

“The author is grateful to Prof. Ovamir Anjum for his kind assistance during the writing of this story.”

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