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The Creation Of The Stereotypical Arab

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Robert Entman, professor of media and public affairs, published an excellent study in  1993 in which he explained the inner workings of framing. Framing is a well-known concept within communication sciences and the study of mass communication, and concerns according to Entman both selection and promotion. He describes it as:

“The selection of some aspects of a perceived reality to make them more salient in a communicating text, in such a way as to promote a particular problem definition, causal interpretation, moral evaluation and/or treatment recommendation for the item described”. (Entman 1993)

A typical frame consists therefore of four qualities. It selects a specific problem by considering and checking the related actors, with which resources they act and observed from their own cultural framework. Then, the greater forces behind the problem are identified, i.e. the broader context. Subsequently, ethical questions are raised that interpret and evaluate the effects and actions of what is taking place. Eventually, solutions and treatments are offered.

Entman illustrates this by giving the example of the Cold War. According to him, American media made during that time frame extensive use of the so-called “Cold War frame”. This frame selected for example the Vietnamese Civil War as a specific problem. It then identified the actors and greater forces behind that war, usually Communist rebels supported by the Soviet-Union and China. Subsequently, these media ethically appraised the whole situation, interpreting the war as instances of severe Atheist agression. This frame could then eventually lead to the promotion of specific solutions being presented to the common man, among which support of the United Stated to the opponents of Communism, and military intervention.

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The caption of the Looney Tunes show Ali-Baba Bound reads: “Ali Baba, the mad dog of the desert.”

Framing is a means used by mass media to transmit specific messages to the audience. This is accomplished by using the classic transmission model, i.e. the sender who sends a message to the receiver through a channel/medium. However, Entman adds culture as an additional element for the transmission of a frame. Professor mass communication, writer and expert on racial and ethnical stereotypes in the media, Jack Shaheen, expands on this theory. After all, the framing phenomenon can not be completely understood when detached from the social and cultural context in which the message is transmitted to the audience. The era of Communism and the “Cold War frame” may be over, traditional mass media keep using frames to promote specific images among their audience.

Images that would certainly have a hard time to take root where it not for it adaption to existing and established cultural convictions. Convictions that were built up and developed through decades-long illustrations and representations within cultural productions, most notably in the movie industry.

Hollywood

Shaheen did some extensive research on the cultural depiction of Arabs in the Hollywood society. The results of his observations were brought together in the documentary Reel Bad Arabs (2006), one I’d recommend everyone interested in this subject. “Arabs are the most malign group in the history of Hollywood. They’re portrayed basically as sub-humans,” says Jack Shaheen to open his argument. “These images have been with us for more than a century.”

During no less than thirty years he watched thousands of movies, from the oldest ones to modern blockbusters, to observe and analyse the depiction of Arabs en Muslims in Western cinema. He subsequently discerns a dangerous and systematic pattern of hateful and racist stereotypes that strip a whole people of its humanity and depicts them as the embodiment of evil, fanaticism, and ignorance. According to Shaheen, this is an established fact from which filmmakers rarely deviate.

The land of the Arabs! An image Hollywood eagerly adopted from long-lost British and French explorers and writers that depicted the Arabs based on their own biased imagination of the Orient, the strange and exotic land that seemingly emanated stories like “One Thousand and One Nights”. The land with its eternal deserts, its threatening roughness, and ominous music. The desolate wilderness littered with palaces of rich and decadent pashas and their harem. The mysterious melodies that guide the movements of voluptuous belly dancers and snake charmers, watched by the all-seeing eyes of the scimitar wearing guards in movies like Invitation to the Dance from 1956.

Even today, such stereotypes are being used, even in children’s movies. Disney’s Alladin (1992) has been watched by millions of children all over the world but recycles nearly every stereotype that had been already used by the silent black-and-white Hollywood past to depict the so-called Arabland. A rough, unfriendly desert landscape where “they cut off your ear when they don’t like your face”, as stated in the opening song of the movie.

In the Looney Tunes animated cartoon Ali-Baba Bound (1940), we see the fairy tale character depicted as a cunning, insidiously grinning Arab with a beard, big nose and evil eye-brows who calls his companions by literally barking at them like a dog. The caption of the show reads: “Ali Baba, the mad dog of the desert.

Not only children, but adults as well see Arabs depicted in movies as hot-headed and impulsive simpletons who deliver some cheap and funny laughs. Take for example the India Jones movie Raiders of the Lost Ark (1981), in which Indiana ends up face-to-face with a threatening and completely random armed Arab. The man tries to impress the American hero with his evil smile and some sword tricks, to which Indiana simply shoots him dead and runs off to continue his adventure.

The same Arab that prefers dogs over women. Indeed, an Arab states in The Happy Hooker goes to Washington from 1977 that “dogs are better than sheep. They’re cleaner, I know, I’ve tried dogs.” And if it isn’t dogs or sheep (think of the popular nickname “goatf*#ker” used by Dutch filmmaker Theo van Gogh to publicly denote Moroccans), than it is blond, American women.

The stereotype of the obtrusive Arab obsessed with white women appears so many times that it becomes ridiculous.Click To Tweet
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Two Lebanese terrorists from “The Delta Force” (Cannon Film) – 1986

 

In the Bond movie Never Say Never Again (1983), Kim Bassinger is being undressed by a filthy  Arab businessman to be sold, with an unintelligible gurgling and crackling (Hollywood Arabic), to a bunch of miserable Bedouins. Arabs are being depicted as primitive and aggressive desert dwellers obsessed with American women as a welcome change to their usual covered and invisible womenfolk hidden in their palaces.

Those Arabs, on the other hand, that do effectively have access to modern society, technology and progress are being imagined as a faceless nuisance to Western society or death and destruction craving terrorists anxious to ruin the West.

Two businessmen in The Bonfire of the Vanities (1990) jokingly state that Arabs “don’t go anywhere without their animals.” Note that they were talking about a recent trip by plane!

How was London?” the main character of the movie Chapter Two (1979) is being asked. “Full of Arabs,” he replies. Movies that are in no way related to Arabs or Muslims and aren’t connected to the Middle-East in any way still can’t resist to the urge of making racist and humiliating comments on screen.

Back To The Future

Even in the hugely popular Back to the Future from 1985, the above statement is sadly the case. The movie is a plain, American Sci-Fi picture for teenagers in which stereotypes about Arabs are nevertheless again introduced. Emmett Brown, scientist and the inventor of the time-traveling car is minding his own business when he suddenly gets shot at, without any motive or reason, by a bunch of Libyan terrorists. They shoot him and then focus on the main character Marty McFly. The shooter curses violently when his weapon jams and fails to kill McFly. When he finally resolves the issue with his machine gun, their car breaks down so they again fail in an almost cartoonish way to continue.

The reason for this sudden and random occurrence is completely unknown, and all throughout the rest of the story no reference is made to it. But the fact remains established, a group of inept Arabs killed the beloved professor.

Foreign Policy

Just like the above-mentioned Cold War frame, this frame on Arabs and Muslims is a perfectly suited tool of the mass media and the political establishment to help shape American foreign policy in the Middle-East and North Africa in the minds of the American citizens. Four different events caused Hollywood to radically increase its use of Arab and Muslim stereotypes. Before anything else, the creation and establishment of Israel in 1948 en the subsequent Arab-Israeli wars resulted in a clear positioning of the United States and Hollywood on the side of their Israeli ally. The Arab embargo that hit Europe and the USA during the 1970’s and the Iranian Revolution further contributed to the role of Arabs as thugs and greedy businessmen. The notorious War on Terror could count as the fourth reason for the establishment and representation of the Arab and Muslim as enemy of progress and freedom.

Take for example the plans of a rich Arab oil sheikh to buy his way up through the United States, conquering it in the process. In the movie Network from 1976, it’s insinuated that a group of Arab businessmen threat to almost run over the Unites States financially by buying up several companies and building plots. The character of Howard Beal than calls live on television to rise against these Arabs, that are planning to buy his TV network. A memorable and frightening scene than follows in which the audience can see a mob of angry citizens take to the streets to express their rage, an image of social hatred against a common enemy, the Arab.

The Ultimate Demon

If it’s not an evil, perverse, and decadent Arab businessman, the Arab gets the role of dangerous and hostile terrorist assigned. Reserved for Russians and Cubans during the days of the Cold War, Palestinians would later figure as the antagonists of the hero in American action movies. The terrorist antagonist stripped from any bit of motive and humanity, serving as fleshly embodiment of the ultimate evil.

This image is already used as early as 1960 in the movie Exodus, where the Palestinians are depicted as invisible enemies hiding in the desert who perform appalling acts against the innocent Jewish colonists because of their radical antisemitism. It’s no wonder that this movie was considered a major promotion for Zionist thought and a support for the Israeli cause.

Theologian and writer Roland Boer writes in his 2009 work on Biblical themes that the depiction of the Palestinian-Israeli conflict in American cinema still influences American citizens to this day with regard to their opinion on the conflict.

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Palestinian terrorists in “True Lies” – 1994

Over a decade later, we find the same old story in the movie Black Sunday (1977). A Palestinian female terrorist wished to detonate a blimp over a typical American sports stadium during the Super Bowl, with about 80.000 ordinary Americans present. The caption of the movie on its release poster reads: “It could be tomorrow!” Again, a decade later, Arnold Schwarzenegger faces a group of Palestinian terrorists that wishes to destroy American cities with nuclear missiles in True Lies from 1994. Again and again, Arabs and Muslims are being identified with hatred, terror and the ultimate failure of their plans due to the American action hero.

An image that, not unimportantly, was fed extensively by two Israeli producers, Menahem Golan and Yoram Globus, who created The Cannon Group company. For over twenty years, The Cannon Group produced at least thirty movies in which everything Arab is being mocked and demonized. Yes, the political relationship between the USA and Israel does indeed trickle in the world of cinema. What could be a more effective weapon than a seemingly unending source of full-length movies in which enmity and distrust against a certain people is promoted? A cultural alliance to dismiss these Arabs, “sand n#^*rs”, “goat f*^#rs” and “ragheads”, fed by a billion dollar business.

The most striking example of this would be the movie Rules of Engagement from 2000. The film leads the audience to Yemen, where a mob of dusty Yemenis are protesting loudly in front of the American embassy. American marines are being asked to evacuate the present staff, when they suddenly open fire and mow down every single protester, including women and children. As a result of this event, an investigation is started to examine the decision of the marines to open fire. Towards the end of the movie, however, the audience is revealed a whole other story than initially portrayed. Plot twist, the Arab protesters were armed themselves and they opened fire on the American soldiers.

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“Rules of Engagement” (Paramount Pictures) – 2000

Men and woman wildly brandishing guns and even a little girl that aims her pistol on an American soldier. A little, Arab girl that wasn’t nearly as innocent as she looked. A whole bunch of Arabs that weren’t as innocent as initially thought. They deserved to die! It was their own fault they attacked the mighty American army of the free! The marines had the right to kill them, to protect themselves! Sure, it was a massacre, but a legitimate one against the enemies of the USA. Against faceless, unknown human beings killed like animals.

Debunking Cultural Practices

Such movies present complicated and nuanced conflicts as a caricatural fight between Good and Evil. They polarize the wars in the Middle-East and North Africa by presenting the American cause as the necessary and just fight against demonized and inhuman enemy, an intrinsic evil. A propaganda weapon arises on a massive scale because of popular cultural injections.

Entman also describes culture as the “stock of commonly invoked frames“. In fact, he defines culture as “the empirically demonstrable set of common frames exhibited in the discourse and thinking of most people in a social grouping.” The fact that framing is then used extensively in the mass media, which includes movies, soaps and news reporting, could be explained from this point of view.

Because of the prolonged cultural impact of Hollywood, the frame of the Arab and Muslim is undoubtedly established within those societies that lie within its sphere of influence. The frame is developed as a cultural element within that society and determines how people look at messages and images that fit within that frame. The Arab that appears in the news is usually no individual. He’s a terrorist, a religious extremist, a zealot, a Muslim, a Palestinian, Iraqi, Lebanese, Syrian or Iranian. These are all frames that evoke certain connotations among the traditional receiving audience, developed within a shared consciousness.

It’s a dangerous trend, but the best solution is the simplest one of all: look beyond the message alone. Don’t let popular culture or traditional news reporting decide how you see the world, because there’ll always be agendas being followed to guide and manipulate you. Common sense, an open mind, and sufficient dialogue can debunk the most stubborn cultural prejudices.

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Omer Sayadi (*1993) is a former student of the Catholic University of Leuven with a special love for the Middle East and North Africa. After receiving his Master's degree in Arabic Language and Islamic Studies, he worked with both refugees from the region as well as Arabic-speaking foreigners seeking to learn the Dutch language. He writes columns on Islam in Europe, migration and the depiction of Muslims in mainstream media. He started MENA symbolism as a means of combining everything history, politics, symbolism and society in one place.

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#Culture

Book Review of Revolution by the Book by Imam Jamil Abdullah Al-Amin (Formerly known As H Rap Brown)

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Imam Jamil Al-Amin’s magnum opus, Revolution by the Book, is a paradigmatic Islamic liberation theology manifesto. It gives an outline of spiritual cultivation specific to the experience of the marginalized who are advocating for freedom from structural oppression, particularly Black Americans in the context in which Imam Jamil is writing. In his book, Imam Jamil Al-Amin argues that Islamic religious practice, which he refers to as “the Muslim program” provides a successful guide to revolution, specifically for Black Americans who have been marginalized, dehumanized, and oppressed in the United States for over 400 years. This revolution is not to be understood in the context of the masses suddenly rising up and overthrowing the ruling class. Rather, it is a suttle and spiritual revolution of the hearts. Imam Al-Amin argues that only through the revolution of self can a person be able to revolutionize the community around them. He writes that “It is said in Islam that the greatest struggle is the struggle against the evil of self. The struggle against the evil of self is the great Jihad, the foremost holy struggle,” alluding to a hadith of the Prophet Muhammad(Peace be upon him). The book’s quotations are almost completely from two sources: the Qur’an and ahadith, which are sayings of the Prophet Muhammad. Revolution by the Book is adorned with these two sources of Islamic knowledge. It is seldom impossible to find a page of the book without either a hadith of the Prophet Muhammad(Peace be upon him), or a verse of the Qur’an. Imam Jamil Al-Amin’s book begins with Surah Fatihah, the opening chapter of the Qur’an. Following them come the 10 chapters of the book all deal with a particular aspect of this program. Each chapter begins with a particular set of verses of the Qur’an.

The first chapter, “God Alone” stresses the importance of belief in God in transforming society. Without this belief, society cannot move forward in improving itself. It is followed by a chapter entitled “Born to Worship” which emphasizes the importance of prayer. Thereafter comes a chapter titled “Holy Money” which speaks of the importance of charity, which morphs into a discussion on the sociopolitical imperative of investing one’s money in the community. Then comes “God’s Diet” which speaks of the importance of fasting and eating healthy food. The fifth chapter is titled “Pilgrim’s Progress” and mentions the Hajj, and how Islam connects Muslims to a broader community of brothers and sisters around the world. The book is then followed by a chapter titled “God Natured” which speaks of the importance of the fitrah, or original nature of submission to God that all human beings possess, described in a hadith by the Prophet Muhammad(Peace be upon him). The book then presents a chapter titled “Turn Right at the Light” which emphasizes the importance of repentance when one commits a sin. Chapter 8, “In Your Family” emphasizes the importance of the nuclear family, and is followed by a chapter titled “Everybody Can Fight But Everybody Can’t Win” which emphasizes the importance of practicing the program and living by an Islamic epistemology, as opposed to ascribing to secular ideologies such as nationalism and Marxism. The book ends with a chapter titled “Finish Lines” which accents how death can come any day for a human being, and how the Muslim must prepare for it, each and every day. The book then culminates with Surah Asr, a three verse chapter of the Qur’an dealing with the importance of time, and making the most of the limited time that man has on Earth. Revolution by the Book serves as a call to action, intended to resurrect the soul of the reader, so that they can ultimately resurrect a broken society. The text reads in the voice of a powerful figure. In order to understand just how powerful of a figure the author is, one must understand both his contributions as both an Imam and leader of American Muslims as Imam Jamil Al-Amin, as well as his contribution to the freedom struggle of Black Americans as H. Rap Brown.

Imam Jamil Al-Amin is a leader within the Dar Al Islam movement, a Sunni Muslim, predominantly Black American, Islamic movement in the United States. Founded in 1962, the Dar Al Islam movement was the single largest Sunni Muslim organization in the United States until Imam Warith Deen Mohammed transitioned his father’s formerly pseudo-Islamic Nation of Islam to Sunni Islam in 1976. The Dar Al Islam movement’s ideology can be seen in the sources that Imam Jamil Al-Amin cites. He uses very few sources outside of the Qur’an and ahadith of the Prophet Muhammad. This is because the Dar Al Islam movement overall did not affiliate itself to any particular madhab, or school of Islamic jurisprudence, nor did it affiliate itself to any Sufi order. However, the organization is distinct from Salafis in the sense that they are not anti-madhabb or anti-Sufism. But one can see the ideology of not following a particular Sufi Shaikh or school of thought in this work of Jamil Al-Amin. Rather, he focuses on preaching to people the Qur’an and authentic sayings of the Prophet Muhammad. This is not necessarily an issue as he is preaching very rudimentary and basic Islamic teachings, and means of purifying oneself in this book.

The title of the book may also seem strange to some. As opposed to a revolutionary manifesto, the book seems to rather be a book on how to change one’s own self and how to restructure society from there. Before his conversion to Islam, Imam Jamil Al-Amin was known as H. Rap Brown, a charismatic and nationally-known leader within the civil rights movement. He would be mentored by now-Congressman John Lewis, who was then Chairman of the Student Nonviolent Coordinating Committee. At the young age of 23, H. Rap Brown became Chairman of the Student Nonviolent Coordinating Committee, succeeding Stokely Carmichael. Under Brown’s leadership, SNCC entered into a working relationship with the Black Panther Party. Brown took the nonviolent out of the name of the organization, and renamed it the Student National Coordinating Committee, lamenting that “violence is as American as cherry pie” and that they would “use violence, if necessary” and fight for freedom “by any means necessary.” 

While chairman of SNCC, Brown simultaneously was appointed Minister of Justice of the Black Panther Party. In 1971, Brown was sentenced to 5 years in jail for “inciting a riot”, a crime that many suggest came out of the Cointelpro program that specifically had the goal of “neutralizing” him. It was in jail that chaplains from the Dar Al Islam movement invited him to their weekly Friday prayers. Familiar with Islam because of Malcolm X, H. Rap Brown attended Friday prayers without becoming Muslim. After a few Friday prayers, H. Rap Brown converted to Islam and took the name Jamil Abdullah Al-Amin. Upon leaving jail, Imam Jamil Al-Amin studied the classical Islamic sciences in West Africa, India, and Pakistan. Following that, he became Imam of a community of around 400 Muslims in the West End neighborhood of Atlanta. The title Revolution by the Book comes from Imam Jamil Al-Amin’s credentials as a revolutionary. He is alluding to how he feels that his Islam is the culmination of his revolutionary days in the Student Nonviolent Coordinating Committee and Black Panther Party, and that he has now finally found a means of making this revolution possible. He says in the prologue of the book that becoming Muslim did not mean a shift from his revolutionary lifestyle. Rather, he says that Islam was a “continuation of a lifestyle” of the struggle for freedom for Black Americans.

Imam Jamil Al-Amin writes that:

It became evident that to accomplish the things we had talked about in the struggle, you need a practice. Allah says He does not change the condition of people until they change was is in themselves. That is what Islam does, and it points out right from wrong. It points out truth from falsehood.

He continues on to say that:

It is criminal that in, in the 1900’s, we still approach struggle…sloganeering saying, “by any means necessary,” as if that’s a program. Or “we shall overcome,” as if that’s a program. Slogans are not programs. We must define the means which will bring about change. This can be found in…[what] Allah has brought for us in the Qur’an and in the example of the Prophet. Our revolution must be according to what Almighty God revealed…Successful struggle requires a Divine program. Allah has provided that program.

The remainder of the book outlines the ingredients for successful struggle. Imam Jamil Al-Amin claims that the most important aspect of revolution is belief in God. Without this, none of the other objectives such as prayer, fasting, charity, repentance, and pilgrimage to Mecca can be actualized and implemented. He also goes on to argue a divine command morality. If a person does not have belief in God, they lack an objective morality to base their lifestyle on. As a result, they fall into a subjective morality that makes it very easy for them to stumble and constantly reinterpret their values in accordance to their whims and desires when faced with pressure to compromise their values. To successfully mount a revolution, a person needs to be solidly grounded and not constantly reinterpreting what is right and wrong. Such an action could jeopardize the struggle and place the one engaging in the revolution in danger of selling out his or her values. Divine command morality serves as an anchor for the person revolutionizing society. This is why Imam Jamil Al-Amin believes that Imaan, or faith in God is the single most important ingredient to successful struggle. It is also interesting to note that the Arabic word “imaan” which means faith comes from “Amaan”, a root word that means safety or security. Through faith, believers are strongly anchored and have safety and protection from being misled by their whims and desires.

Imam Jamil Al-Amin writes that:

Iman is an essential ingredient to success, for a fearful, doubtful person is unable to struggle; he gives up easily, submits to every oppressor, compromises his integrity, acquiesces in injustice, and accepts enslavement. In contrast, a person who has taqwa, God-consciousness, fears only the Ruler of the Universe, Almighty Allah; he perseveres against the greatest of challenges, maintains his integrity, resists injustice, refuses enslavement, and fights oppression without regard to man-made standards.

Next, Imam Jamil Al-Amin claims that the most important aspect of this struggle is prayer. He says that prayer is the center of the community. He quotes the hadith of the Prophet Muhammad that prayer is what separates a believer form a disbeliever. He also quotes verse 11 of Surah Raad which states that “God does not change the condition of people until they change was is in themselves.” This is the most quoted verse of the Qur’an in his entire book, emphasizing the change in self that is required for the revolution that SNCC and the Black Panther Party imagined. He asserts that prayer is the key to this change, and that prayer is also what binds his mosque together.

Imam Jamil Al-Amin writes that:

Any building is just an edifice. The mosque is built to make prayer. Prayer is the key to the community, not buildings…Prayer is a practice, a program, that begins to make you aware, that makes you conscious of the Creator; it makes you fear Allah, and that brings about within you a transformation, a change that is necessary to throw off that whole system that you have become accustomed to. It is the beginning of a revolution in you which expands to other aspects of you reality.

Following his emphasis on prayer as the foundation of successful Islamic practice, Imam Jamil emphasizes other very important aspects of Islam, cemented with verses from the Qur’an and ahadith. Aside from just emphasizing the religious obligation of the action, Imam Jamil Al-Amin connects the idea to a sociopolitical imperative. It is not just his goal to explain to the reader why the action is religiously mandated. But he also seeks to connect it to why it is important for the social resurrection of the community in which a person resides. For example, he presents many hadith and the verses of Qur’an on the importance of charity. But beyond that, he connects the idea to the spiritual and social resurrection of Black Americans. 

Charity — you cannot have an effective social struggle, a successful movement, if you don’t have charity. You cannot have a successful revolution if people don’t have charity, if you are not willing to sacrifice. Sacrifice deals with giving, with sharing those things that Allah places in your trust? 

Beyond just laying out religious obligations, Imam Jamil Al-Amin points out many flaws in modern society, particularly those of materialism and corporatism. In his view, modernity is filled with many diseases that have deprived people of who they really are. People just go around consuming food, drugs, and entertainment, and are unable to cultivate their souls, or even ponder the fact that they have one. He writes about how society is devoid of values and how Americans have become a people who just go from one holiday to another without contemplating their existence. Americans have become a people not just intoxicated by drugs. More prominently, they have been intoxicated by holidays and entertainment.

We talk about intoxicants. We reduce the problem to cocaine and crack. But indeed, it is more than cocaine and crack. In fact, the problem is not crack and cocaine, the problem is that we live in a society that has made a virtue out of being high. This society arouses within you desires and passions that make you seek to escape reality by being high. Everything is geared toward keeping you in a state of euphoria. One holiday follows the next: Christmas to New Years, to Easter, to Mother’s Day, to Father’s Day, to the NBA playoffs, to the Superbowl, to championship fights, to Olympics. Everything keeps you high. Everything is geared towards keeping you away from encountering reality, everything is geared to keep you from remembering God.

He advises parents on the dangers of this corporatism also. Imam Jamil writes that: 

Your child must stop eating what the media sells; the television, radio, comics, magazines, recordings, etc. You must help them control their lives; you must take control of your children’s lives away from their enemy. You strive hard to teach your children right, then you turn the television on and allow everything that is against your religion, against your Lord, to be propagated in your house. You lock your doors and windows then turn on the TV.

One weakness in this text comes with regard to who Imam Jamil Al-Amin’s audience is. One review referred to it as “A valuable text for new Muslims and an excellent introduction to the fundamental teachings of Islam for non-Muslims.” So perhaps it is a text aimed at introducing non-Muslims to Islam, while also allowing Muslims to review the basic teachings through the context of his unique life experience. But which non-Muslims is he specifically speaking to? Is he speaking to Black revolutionaries who are not yet Muslim? He could be speaking to past colleagues of his from SNCC and the Black Panther Party. Is he making the case to them that Islamic practice presents a necessary program for them to actualize what they want in regard to this revolution?  Is that the purpose of this book? Or is he is referring to Islam as the continuation of the struggle in a rhetorical way. He is saying to his people that they do not need to wage revolution through protests and the ballot box. Rather, by the practice of Islam, each and every person transforming themselves will transform society. After all, society is merely the summation of a bunch of individuals. If all parts of the whole have revolutionized themselves, the whole too should revolutionize itself.

I also question if it weakens Islam or sells the deen short to present it as a means of good revolutionary praxis as opposed to salvation. The objective of Islam is to get close to God, not to restructure society. But establishing justice and ridding the world of this oppression is a result that comes from closeness to God. One begins a Muslim out of belief in God, and out of realization that the Prophet Muhammad ṣallallāhu 'alayhi wa sallam (peace and blessings of Allāh be upon him) is the messenger of God, the last of prophets, and the greatest human being to ever walk this Earth. It is obvious that Imam Jamil Al-Amin understands. He emphasizes that the self must be transformed before anything else and that it is important to be aware of one’s close proximity to death. I wonder if maintaining the notion of a revolutionary self is to essentially say to those from his past days in the freedom struggle that he has not changed as a person. The H. Rap Brown who asserted that “violence is as American as cherry pie” has discovered what real revolution is all about—the greater jihad against the nafs. It is a sign that he has not committed some sort of political apostasy towards the freedom struggle, or cultural apostasy towards Black people. Rather, he has discovered that this materialism and lack of spiritual ethic guiding the freedom struggle can be purified and best applied when put into Islamic guidelines. 

For Muslims, this is an especially important text. It reminds them to fulfill the basic obligations of their religion and the evidence from the Qur’an and Sunnah for fulfilling these basic obligations. It also connects to a figure who is seldom forgotten. Many know of Malcolm X and Muhammad Ali, but few know of the Imam Jamil Al-Amin. In addition, the Dar Al Islam movement which he was a leader in provides a model for dawah and Islamic institution building. But moreover, Imam Jamil Al-Amin’s book exemplifies to the reader that purification of the self does not have to take place in a vacuum of political quietism. Rather, in purifying themselves, the reader too can purify the community around them. Revolution by the Book is a seminal text representing a seminal figure.

Both Imam Jamil Al-Amin and his manifesto will be etched in the American Muslim imagination for years to come as symbols for purification of self, and the purification of society, insha Allah. 

Buy the book here

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Ten Reasons You Should Support MuslimMatters This #GivingTuesday

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The Prophet (SAW) has taught us the best of deeds are those that done consistently, even if they are small. Click here to support MuslimMatters with a monthly donation of $2 per month. Set it and collect blessings from Allah (swt) for the khayr you're supporting without thinking about it.

With so many amazing #GivingTuesday campaigns running, why should you choose to support MuslimMatters?

1. MuslimMatters publishes Islamic news and perspectives not given voice in mainstream media, and we do it for free.

2. We bring awareness to the issues otherwise sidelined by mainstream media, like refugee rights, Palestinian self-determination, the oppression of the Rohingya, mass internment of the Uighur, and government lockdown and repression of the Kashmiris.

3. We are the oldest, largest, and more reputable online site for Muslim-specific content. When Muslims have an important message for other Muslims, MuslimMatters is how to reach them.

4. Your funding keeps us independent, allowing our writers to speak truth to power without worrying about losing funding, government support, or corporate donors. Click To Tweet

5. Muslimmatters is the global platform that is proud to raise other Muslim voices up. Anyone can write for us, and everyone can benefit from what we’ve worked to establish.

6. We’re taking back the narrative about Islam that is too often hiijacked by people not Muslim and entirely ignorant of Islam. People won’t have to believe what others are saying about us when we have the platform to speak for ourselves.

7. Our content has been cited by media outlets like CNN, ESPN, Buzzfeed, and the Washington Post.

Your contribution to MuslimMatters is building a reputable, credible source of news that other outlets look to for clarification.Click To Tweet

8. Articles published on MuslimMatters have appeared in Supreme Court Briefings, reading requirements for College Classes, and Interfaith Education events, granting their authors reach beyond what micro-blogging could ever accomplish.

9. Many of our pieces have inspired Friday Khutbas, and Khateebs from all over the country have shared how something they read gave them insight and inspiration to write a more informed, more relevant sermon than they would have been able to otherwise.

10. MuslimMatters brings difficult and otherwise taboo issues to the table for discussion, not shying away from the responsibility of trailblazing and myth busting in the Muslim community.

MuslimMatters is provided for free, and supported entirely by readers like you. So please, help us continue our work.

Support Our Dawah for Just $2 a Month

MuslimMatters has been a free service to the community since 2007. All it takes is a small gift from a reader like you to keep us going, for just $2 / month.

The Prophet (SAW) has taught us the best of deeds are those that done consistently, even if they are small. Click here to support MuslimMatters with a monthly donation of $2 per month. Set it and collect blessings from Allah (swt) for the khayr you're supporting without thinking about it.

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#Current Affairs

A Letter From The Executive Director

Support MuslimMatters for Just $2 a Month

MuslimMatters has been a free service to the community since 2007. All it takes is a small gift from a reader like you to keep us going, for just $2 / month.

The Prophet (SAW) has taught us the best of deeds are those that done consistently, even if they are small. Click here to support MuslimMatters with a monthly donation of $2 per month. Set it and collect blessings from Allah (swt) for the khayr you're supporting without thinking about it.

AssalamuAlaikum Dear MM Fam,

Alhamdulillah in 2007, I was fortunate to be a part of the team that started up a little website called MuslimMatters.org. It’s hard to believe it’s been over a decade. In that time MM has grown from a group blog into a full-blown media entity giving an independent and authentic Islamic voice to contemporary spiritual, social, and political issues that we face.

MM's work has been featured in CNN, Washington Post, ESPN, Buzzfeed, and more. This platform has grown tremendously and now reaches millions of readers every year.Click To Tweet

With 2020 around the corner, we are at a critical juncture. Traffic has grown beyond our current capacity – yes, we’re basically the masjid that now has an expansion project lol – and we have to grow in order to meet our community’s media needs.

Your help is needed to invest in the MM infrastructure so we can not only keep up with our current growth but also develop new content such as podcasts and videos to continue to reach more readers all across the globe.

Your contribution on #GivingTuesday is particularly vital as it will count as double with a Facebook match. We need your help to make vital improvements that will enable MuslimMatters to continue being a voice for the voiceless and a platform for mainstream Islam in the media.

This #GivingTuesday I’m raising money for Muslimmatters Inc and your contribution will make an impact, whether you donate $5 or $500. Every little bit helps. And on GivingTuesday Dec 3, Facebook will match a total of $7 million in donations first come, first served. Thank you for your support.

Contribute what you can, and please share this post to help us hit our #GivingTuesday target to keep MuslimMatters strong for 2020.

JazakAllahuKheiran,

Omar Usman

Executive Director

Support Our Dawah for Just $2 a Month

MuslimMatters has been a free service to the community since 2007. All it takes is a small gift from a reader like you to keep us going, for just $2 / month.

The Prophet (SAW) has taught us the best of deeds are those that done consistently, even if they are small. Click here to support MuslimMatters with a monthly donation of $2 per month. Set it and collect blessings from Allah (swt) for the khayr you're supporting without thinking about it.

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