John, Paul, George, Ringo and Omar – Ruth Nasrullah
I had the distinct pleasure of hearing the Muslim “pop” group Seven8Six. Their performance was part of a concert put on by a new nonprofit organization, the Crescent Arts Foundation. Seven8Six consists of five young men of South Asian descent from Detroit. They use only percussion instruments. They combine songs in English whose topics address Islamic issues with traditional Urdu songs derived from the Muslim Indian/Pakistani tradition.
There's a jaded part of me that's accustomed to off-key or half-hearted live shows by performers whose success rests less on talent than on heavy studio engineering and a hyped-up public presence. I kind of expected Seven8Six to sound bad live, but they actually sounded better than on their albums. Their harmonies were true and their presence was powerful.
Seven8Six subscribes to the more conservative Islamic view of music by using only percussion as backup. Opinions on the permissibility of music in Islam range from completely prohibited to allowable only with percussion to completely allowable. Seven8Six chooses, as have other contemporary American Muslim groups such as Native Deen, to sing with only percussion.
I really enjoyed the concert, but halfway through I started to feel weird. I had a bit of a flashback to the days when I discovered the Beatles, and although at 47 my response to what is essentially a boy band isn't the same as it was when I was 12, young girls in the audience were responding in typical teenage fashion, as evidenced by their screaming at the end of each song. They started out trying to restrain themselves – a friend of mine who was sitting a few rows behind me said the girls in that section were apparently trying to display decorum by waving glow lights instead of screaming, but by the end of the set their enthusiasm apparently overcame their haya. Seven8Six has been criticized for inducing this sort of response – and I kind of agree. Even though they aren't overtly sexual, they're good-looking, they're young, and they're masculine. There's an interesting blog post here that addresses how Seven8Six exerts a somewhat un-Islamic influence. The post includes a response by Seven8Six.
Music is undoubtedly one of the things many western Muslim converts struggle with. It was always part of my life, whether the Beatles or CSNY or the Indigo Girls or the B52s, Nirvana or Earth, Wind and Fire, and so on and on. My father is a jazz drummer, and my great-uncle was a well-known composer. Like clothing, music is part of many people's identity, and changing it for the sake of Islam is a struggle. Music and clothing can both be very sexual, making them representative of changes in moral outlook influenced by Islam.
Do teenage American girls who are raised Muslim in this culture struggle with that too? Seven8Six may sing about Islamic subjects and may not use string or wind instruments, but I'm sorry, they are hot. Do boy bands have a place in Islamic culture? Maybe, but if you're making young girls scream it might be a sign that you're going in the wrong direction.
Originally posted by Ruth at her Chronicle Blog.
See also: The End of Music
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